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exhibition
International exhibition of 1000 postcard-sized original art pieces from artists all over the world to benefit the 'Blijft je bij' program of Museum Beelden aan Zee, for people with Alzheimers and other forms of dementia and their caretakers.
Opening June 6 at 14:00
Sunday 12:00 - 17:00
See Lab
Duinstraat 55-57, 2584 AW Den Haag
More information @paeartforacause
On May 16th, Ghazaleh Moqanaki and Golnoosh Heshmati invite you to Blue Stories, an installation and listening session developed through dialogue and shared research.
Blue Stories traces how attention moves around ongoing conditions, beginning with the water crisis in Iran and shifting toward forms of knowledge that persist beyond cycles of visibility. Drawing on rain-calling rituals from different regions of Iran, the project engages with practices that bring together fieldwork, storytelling, and community building.
The installation and sound work are based on fieldwork conducted on Brienenoordeiland in Rotterdam, alongside archival material related to rain-calling rituals.
Visitors are invited to support grassroots initiatives working with communities in Iran affected by ongoing environmental challenges.
Golnoosh’s practice proposes listening as a method for engaging with archives and site-specific research, approaching them as landscapes where histories, material processes, and forms of navigation emerge over time. By translating ephemeral traces and peripheral narratives into embodied encounters, she develops works across sound, text, and ceramics that integrate multichannel sonic works and sculptural forms.
Ghazale’s work can be translated through myths and stories. She is drawn to stories about monsters, the power of storytelling, and how myths and narratives relate to our physical experiences. She is inspired by objects of nostalgia and playing objects. Objects then become her puppets, her music and her thoughts. Her work often incorporates light, shadows, illusion, figurative sculptures, puppets, dolls, mechanisms, craft making, video and animation.
Blue Stories
Opening May 16, 2026
17:00-20:30
See Lab
Duinstraat 57, Scheveningen
Video: Ghazaleh Moqanaki @gazelle_moqanaki
Sound: Golnoosh Heshmati @golmati
With support from Stroom Den Haag and CBK Rotterdam.
Title: Phantom Memorabilia
Duo exhibition: Anca Barjôvanu & Cathelijne Boele
Duration: 06.06.2025 to 06.30.2025
Opening hours: via appointment at ancabarjovanu.studio@gmail.com
Opening: 06.12.2025 - 5:00 PM
Sound by: Rat Radio
About: Phantom Memorabilia
From a dream-like world, our phantoms emerge. They linger and follow us subconsciously through the mundanity of life, guiding and shaping our fantasies, memories and hidden longings. Intangible yet feeling real, these phantoms materialize through the symbolism of our past, where each piece of memorabilia serves as an associative point of connection to a specific time or experience.
The duo-exhibition titled Phantom Memorabilia explores the various pathways and rhythms of memory, emphasizing their constant movement between prominence, obscurity, and impermanence. The artistry of both Anca Bârjovanu and Catelijne Boele captures the delicate balance between memories that haunt us and those driven by a fantastical kind of nostalgia - resulting in a search that oscillates between the desire to let go and the need to preserve. Through their own visual language and magical worlds, they question which memories we selectively and willingly keep with us, and the ones we unwillingly and sometimes unknowingly store in our subconscious.
Title:The third passage
Solo exhibition: Annabelle Schatteman
Duration: 11.01.2024 to 11.10.2024
Opening hours: 13:00 - 17:00
Opening: 11.01.2024 - 6:00 PM
Finissage: 11.10.2024 - 6:00 PM
Curated by: Catelijne Boele
About: The solo exhibition of Annabelle Schatteman, titled ‘The Third Passage’, encompasses a personal journey through the subsequent stage of female existence – a chapter that is connected to menopause. The exhibition is an ode to the blood that is no longer present and a farewell that clears the way for the next phase of life.
Annabelle Schatteman intuitively explores the transformation of femininity and allows it to take form in an extensive landscape of sculpted flowers, shells, and mythological figures. These embody the beauty and stillness of life and motherhood, but also the fear of change and transience. With an energy that is both explosive and focused, Schatteman expresses the emotion and complexity of ageing, as well as its strength and depth. Flowers like lilies, poppies, and amaryllis bleed and wilt within her work, symbolising the wounds and pain that grow alongside saying goodbye. The sculptural still lifes paradoxically embrace the inevitable change that life brings. Schatteman makes the transition from heaviness to lightness palpable through the movement she captures in her powerful and fleeting sculptural handwriting. In her work, she seeks a new harmony with life within her restlessness, which only becomes tangible after experiencing the pain of farewell.
“The woman who is willing to make that change must become pregnant with herself, at last. She must bear herself, her third self, her old age.” – Ursula K. Le Guin
"Artist Bio: Annabelle Schatteman is a sculptor and image-maker whose artistic practice revolves around cycles, processes, and the exploration of temporality. Describing herself as an "image-making writer," she approaches each project like writing a book—an intuitive, evolving process that allows her to uncover new narratives and create multiple works, often incorporating various materials like clay, PUR foam, plaster, and bronze. Inspired by the representation of women throughout history and fascinated by the fragility of life, Schatteman’s art grapples with the frustration of impermanence. Her figurative sculptures, often feminine in form, merge storytelling with research drawn from anthropology, psychology, and mythology, crafting works that reflect on human existence and its cyclical nature. Schatteman integrates imperfections, such as cracks in the material, as part of the narrative, embracing the inevitable passage of time while striving to create lasting expressions of life’s fleeting moments.
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photos: Anke van den Berg
Dutch
De solotentoonstelling van Annabelle Schatteman, getiteld ‘The Third Passage’, omvat een persoonlijke reis door de derde passage van het vrouwelijke bestaan- een hoofdstuk dat verbonden is met de menopauze. De tentoonstelling is een ode aan het bloed dat er niet meer is en een afscheid dat de weg vrijmaakt voor de volgende levensfase.
Annabelle Schatteman onderzoekt op intuïtieve wijze de transformatie van vrouwelijkheid en laat het vorm aannemen in een uitgebreid landschap van geboetseerde bloemen, schelpen en mythologische figuren. Deze dragen de schoonheid en verstilling van het leven en moederschap, maar ook de angst voor verandering en vergankelijkheid. Met een energie die zowel explosief als gefocust is, vangt Schatteman de emotie en complexiteit die het ouder worden omvat, maar tevens de kracht en diepte daarvan. Bloemen zoals lelies, klaprozen en amaryllis bloeden en verwelken in haar werk. Deze symboliseren de wonden en de pijn die samengaan met het nemen van afscheid. De sculpturale stillevens omvangen op paradoxale wijze de onvermijdelijke verandering die het leven met zich meedraagt. Schatteman maakt de transitie van zwaarte naar lichtheid voelbaar door de beweging die zij vangt in haar krachtige en vluchtige werkwijze. Te midden van haar onrust zoekt zij in haar maakproces naar een nieuwe harmonie met het leven, die pas zichtbaar wordt na de pijn van het afscheid nemen te hebben ervaren.
“The woman who is willing to make that change must become pregnant with herself, at last. She must bear herself, her third self, her old age.” – Ursula K. Le Guin
Machine Echoes
Group exhibition:
Curated by: 0-1 Gallery
Participating artists: Ana Esteve Reig, Andrea Martinucci, Chloé Azzopardi, Domas Anne van Wijk, Eva Anerrapsi, Jakub Geltner, Joanna Grochowska, Lorenzo Zerbini, Mandy Williams and Sarah Butler.
Duration: 19.10.2024 to 26.10.2024
Opening hours: Opening hours are adjusted daily based on bookings. Please check the schedule and book your visit via this link.https://cal.com/0-1.gallery/esc-2034-machine-echoes
About: Machine Echoes’ is the first of three group exhibitions in the ESC 2034 series curated by 0-1 Gallery. By exploring the futures of nature and technology, the exhibition covers themes such as artificial intelligence, the transformation of communication, and the future of ecological awareness. From digital phenomena to ecological sculptures, each work invites us to reflect on these evolving relationships. Additionally, each piece challenges us to rethink how we interact with our environment, offering a glimpse into the decade ahead — a conversation between nature and technology.
Curated and photographed by @0_1.gallery (→)
Established in 2020 as a digital initiative, the ESC platform has consistently pushed the boundaries of contemporary art. Each year’s theme, ‘A decade into the future,’ invites artists to imagine what the world might look like ten years from now.
Now, this exhibition marks a significant milestone for 0-1 Gallery as ESC transitions from an online format to its first physical event. After receiving over 600 submissions, 26 artists were selected to participate in the ESC 2034 series. ‘Machine Echoes’ will feature the first group, setting the stage for an exploration of our shared future.
Finally, ‘Machine Echoes’ will take place at See Lab (→) in The Hague, Netherlands, from October 19-26, providing a more immersive and impactful experience.
more info: 0-1 Gallery
