MUSEUMNACHT - ZEEVONK

Group Exhibition ” Zeevonk” during Museumnacht
artists: Awinash Panchu, Sissel Marie Tonn, Oddkin & Jonathan Reus

On warm summer nights in Scheveningen, you can experience the magical event of swimming with Zeevonk - the algae that turns your movements in the water into fluorescent sparkles of light. For this year’s museum nacht See Lab has created an artistic program, that takes inspiration from the magic sensation of experiencing Zeevonk, which almost gives you an experience of Synesthesia . We invite you to touch sound, taste color and dip into the artistic zeevonk. The night will begin with a screening of See Lab produced video work, that each deal with time in different ways. Later on, the audience will be invited to perform with each other in two fun, interactive sound installations, and we end with a party, where you can create your own Zeevonk cocktail in our cocktail workshop, and dance to groovy tunes.

photos: Anke van den Berg, Helena Sanders & Marie-Charlotte Spruijt.

More info: Museumnacht

GET ``THINGS`` OFF OUR CHEST

Group exhibition Get “Things” Off Our Chests | 3rd of May from 18:00 at the See Lab’s project space.
curated by Margarita Leonenko
artists: Annabelle Schatteman, Cathleen Owens, Katerina Sidorova, Lili Berger and Yun Teng Seet

To get (something) off one's chest is an act of sharing, confessing or relieving one's mind. It is an opportunity to talk about something worrying, to let go of neglect. It is an invitation to discuss something private, to pay attention to a character or an unknown nature.

As a response to creative dialogue about art practices, the framework of the exhibition takes the studio as a subject for exploring the key roles and methods of working, and positions the artist’s body as an important element of its operations and creative labor. This group show introduces studio space as a site not only for producing, making and showing an artwork, but examines what is personally significant to a maker, an art worker, a creator, a female artist.

photos: Mathieu Rynwalt & Lili Berger
more info: https://www.facebook.com/events/2308809542691978/

THANK YOU FOR JOINING US AT OUR FOUR MONTH PROGRAM

"THE STORY WITHIN AND BEYOND"

We couldn't be happier with the succes of our first public progam. Big thank you to all the artist and everyone involved! You can view all the documentation of our four month program here:

PART I: HISTORIAE 
PART II: THE OTHER SIDE OF THE STORY
PART III: REMOTE PASSAGES
PART IV: ALL THE WORLD'S A STAGE 
Part IVB: ALL THE WORLD'S A STAGE

Please take a look at  the full program  at ISSUU

The Story Within and Beyond is made possible by: Stroom Den Haag, Gemeente Den Haag and Glashandel Piket

THE STORY WITHIN AND BEYOND 4B: ALL THE WORLD'S A STAGE

THE STORY WITHIN AND BEYOND

ALL THE WORLD'S A STAGE

PART IVb: Natalie Fyfe & Katerina Sidorova
MAY 30TH - JUNE 1ST
PERFORMANCES: FRIDAY, JUNE 1ST, 19:00 H

The performances of Natalie Fyfe actually do not focus on the face alone but on our mouth as the stage where actually happens everything that makes us human – the food is being chewed, the language (sound) is being created, and we are being connected with others via words or touch. In Choreography of the Mouth-Nil by Mouth, the mouth performs (the whole face except the mouth is in a fetishist way covered with a mask) a choreography which almost, just as in Shakespeare's As you like it, brings us to different ages of our life: to the scream which brought us to life, to the infant, to the lover and to our animalistic side which is with us all the time. In Bite, Chew, Spit the artist creates the intimate space of a ritual by masticated chewing gums. The small „chewed sculptures“ form the circles in the exhibition space, where they actually become an „archaeology of the mouth.“ In a metaphorical way,  Katerina Sidorova  focuses on the object as the centre point of a performance. „The object“ are

the unbaked clay vessels where anonymous performers are pouring water in silence, until naturally, clay either craks or is dissolved by water. In this performance the actual human body, the body of the performer, becomes insignificant, because it is being aligned with the material which it is concentrated on –  clay. The stage becomes the place for human and civilizational disappearance, the stage where a historical analogy of human physical body and clay as the protomaterial stand together side by side in „ashes to ashes“, „dust to dust.“ The vessels loose shape, just like an old human, in the seventh stage of his life, in the last scene of all, where only mere oblivion remains, Sans teeth, sans eyes, sans taste, sans everything.

Text: Neva Lukić
photos: Anke van den Berg

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''The Story Within and Beyond'  is a project of: Neva Lukić & Anke van den Berg.  Please take a look at  the full program  at ISSUU and here. The Story Within and Beyond is Made possible with the help of all See Lab members. Financial supported by Gemeente Den Haag, Stroom Den Haag and See Lab.

THE STORY WITHIN AND BEYOND 4A: ALL THE WORLD'S A STAGE

THE STORY WITHIN AND BEYOND

ALL THE WORLD'S A STAGE

PART IVa: Emilie Ruitinga & Nienke Sikkema
MAY 4TH - MAY 20TH
OPENING: FRIDAY, MAY 4th, 19:00 H
OPEN: FRI - SUN | 13:00 - 17:00 H

All the World's a Stage part IVa exhibition (Nienke Sikkema, Emilie Ruitinga) and part IVb the performance program (Natalie Fyfe, Katerina Sidorova) focus on "the stage" as a possible place for creating and recreating stories, lives and identities, reversing an inner world stage into an outer (public) world stage and vice versa. It also examines the fragility of the human body and the exposure of one's intimacy to the outside world.

Nienke Sikkema brings three different stages into the exhibition space, actually three „stage like sculptures“ which invite the viewer to think about the possibilities and impossibilities of the presentation of oneself in public.
One stage is made of metal, one of glass and one of fabric (plush/velvet), so they also affect the performer in different ways. One of the stages, the yellow one made of fabric, also gives the possibility to the performer to hide in the forest of its big, yellow sticks, therefore it allows the performer to hide their face and perform more freely, to expose their intimate world. On Sikkema's stages the performer almost becomes one with the stage, he/she merges with it, making the stage an active, equal participant in the presentation.

Emilie Ruitinga in her video installation creates the intimate red room which becomes a kind of peep show for the animation My Girl.  My Girl is a surreal  animation piece quite focused on a body and the division and deconstruction of the body and its face parts. For thist reason the red room, where the viewer is situated and where we peep through the hole into the My Girl animation, evokes the color of the inside of our bodies. In this work we become a kind of voyeurs into somebody else's world of the subconscious, and since we peep and our faces remain hidden, we can do with them whatever we want while confronting the surreal shapes and the intimidating sounds coming from the animation.

"The poetry performance for the opening of "All the World's a Stage" by singer-poet Nicole Jordan , writer and poet Neva Lukic, visual artist and poet  Brigitte Spiegeler. 

text: Neva Lukic
photos: Anke van den Berg

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''The Story Within and Beyond'  is a project of: Neva Lukić & Anke van den Berg.  Please take a look at  the full program  at ISSUU and here. The Story Within and Beyond is Made possible with the help of all See Lab members. Financial supported by Gemeente Den Haag, Stroom Den Haag and See Lab.